• Art is fine in the right place, but it is no substitute for Industrial Heritage, as the following three pages show.
• The first of these was written when all my alarm bells were set off on hearing Blaenau Ffestiniog described as a “Post Industrial Town”.
Page 1 : Post Industrial Landscapes and their Art
Page 2 : Moderator Wharf, Newport
Page 3 : Euston Arch and Cash’s Chimney
• For my further views on this subject click on my Library Talk, especially the postscript.
POST-INDUSTRIAL LANDSCAPES & THEIR ART
All over Britain the grubby but genuine face of Old Industry is being scrubbed clean.
Post-industrial landscapes with artworks are in. The culture of industry and working
people is being replaced by an intellectualised version of it, which many of those
people don't understand or want. It is a process which Cadw Welsh Historic Monuments
describe as "a form of cultural cleansing".
Everywhere, the chimneys and mills, wharves
and waste-tips, terraces of brick, and terraces of stone, which once distinguished
one industry or region from another have been torn down. And what little that remains
is being systematically turned into a pick'n'mix look-alike landscape of brick pavers,
fake Victorian, pebble-dash and picnic sites, trees and machine-made mounds of green,
contrived art, and token heritage trails; heritage trails with interpretative panels
explaining how interesting it all was before they filled-in the canal basin to make
a car park, or pulled down the old foundry to build a shopping centre in the heritage
style.
So much of it is now either artificial or simply no longer there. It's like
going to an art gallery and seeing only copies, or the blank spaces where the pictures
were, and having to be content with an illustrated caption beneath. It wouldn't work,
and it doesn't.
It is astounding that such scant regard is shown for the products
and achievements of a period of history, which did more in 200 years to improve the
lives of ordinary people, than did the last 2000. There are many people who believe
that the technological, industrial, engineering, maritime and architectural heritage
of this period - both great and humble - is every bit as valuable, interesting and
deserving of respect as the artistic and cultural heritage of earlier periods.
No
works of art can replace a lost heritage. They simply don't have the integrity of
the original. They are imposters - cuckoo art. The same is true of many post-industrial
landscapes of which they often form part. They too lack design and historic integrity.
Many are no more than a masquerade - a tidy way of disposing of the past rather than
of taking care of it. It is time we spent less on artifice and more on arteFACTS.
Falcon
D Hildred, Melin Pant-yr-Ynn, Bethania, Blaenau Ffestiniog, Gwynedd LL41 3LZ 9
Nov 98